This week we would like to welcome Spellbound as a new client to Ambient Life. The company based just outside London that are passionate about cars and provide a specialised business for the restoration and race preparation of models such as Ferrari and Jaguar. Spellbound Cars is a union of individuals all passionate about iconic cars and the pursuit of excellence. Experience, passion and a great drive to deliver the highest level of service is at the heart of a very unique workshop. The workshop is equipped with high-tech machinery and facilities, enabling restoration or repairs of all levels to be completed in-house. The Spellbound Cars team has wealth of experience in both the building of cars, and from behind the wheel, both on road and track.
They understand what is required to prepare a car to withstand the specific demands of every discipline whether fast touring on Alpine passes, or competing in hillclimbs, sprints, track days, historic championship racing, or even challenges such as the Nordshleife Marathon and the Spa Six Hours and of course Goodwood.
Posts Tagged ‘Racing
Tags: 500 gt, ambient life, ambientlife, automotive, camera, car, car photography, Carroll Shelby, commercial, creative, digital, Equipment, lighting, Mustang, mustang gt 500, photographic, photography, Pro, professional, Racing, shelby death, Shelby GT500, shelby life, tim wallace
The man who retired from racing and built the Cobra, then went on to work with Mustang
A sad loss, a great man who will always be remembered.
Carroll Shelby, the colourful American racing driver and engineer who shared the winning Aston Martin with Britain’s Roy Salvadori in the 1959 Le Mans 24-hour sports car classic, and who later gave his name to the iconic Shelby American Cobra high-performance sports car, has died at the age of 89.
The genial Texan’s trademark was his distinctive striped, bib-style racing overalls, which gave him a swashbuckling, Casey Jones-like appearance throughout a distinguished racing career that included eight world championship grand prix outings driving a private Maserati 250F, and latterly for the ill-starred Aston Martin Formula One team.
Born in Leesburg, Texas, the son of the town’s postmaster, Shelby was a child when his family moved to Dallas. Despite being diagnosed with a slight heart murmur at the age of 10, he served as a flight instructor with the US air force during the second world war. He went on to work in the truck business, before turning his hand to chicken farming, unsuccessfully, in the late 1940s.
Meanwhile, Shelby had started to dabble in sports car racing, and by 1952 had gained a degree of recognition after some promising outings at the wheel of a Jaguar XK120, before switching to a fearsome, Cadillac-powered Allard the following year. In 1954, spurred on by the offer of a cup from Kleenex heir Jim Kimberly – one of the great US racing philanthropists of the time – for the best performance by an amateur driver, Shelby entered the Allard in the Buenos Aires 1,000km sports car race, co-driving with airline pilot Dale Duncan, who was a useful contact when it came to air freighting the car to Argentina.
This first competitive appearance outside the US for Shelby was memorable: he and Duncan finished 10th, despite a carburettor fire during a pit stop, which had to be extinguished by the simple expedient of Duncan urinating on the engine. More significantly, Aston Martin driver Peter Collins introduced Shelby to his team manager, John Wyer, who had been impressed with the Texan’s handling of the wild and woolly Allard. Shelby now had his foot in the door at Aston Martin, which would lead to a place in their works team – and that memorable victory at Le Mans five years later.
Like most of those who drove for Aston Martin in the 1950s, Shelby loved the team’s ambience, and he never seriously considered any of the fleeting, and possibly empty, offers to join Maserati or Ferrari. His Texan penchant for straight talking occasionally made David Brown, the Aston Martin company’s owner, wince: telling the boss one of his cars handled like “10 pounds of shit in a five-pound bag” was pretty strong stuff from a hired hand in the mid-1950s. Shelby recalled Brown’s reaction: “He got pissed off at that, turned round and walked away.”
Along with Salvadori, Shelby also took up the F1 Aston Martin DBR4s during the 1959 season. But these front-engined museum pieces were obsolete even before they raced for the first time, a new generation of mid-engined cars from Cooper dashing their hopes of success. At the start of 1960, Shelby suffered bad chest pains that alerted him to a now-serious heart condition. Despite attempting to control the situation by driving with nitroglycerin pills under his tongue, Shelby decided to retire from racing at the end of that year.
One of Shelby’s dreams had been the manufacture of a high-performance American sports car, so when he heard in 1961 that supplies of Bristol engines had dried up for the British AC company, he brokered a deal that saw AC switch to using a 4.7-litre Ford V8, and the famous Cobra was born. Ford backed Shelby’s efforts on the race track, and the Shelby Cobras were duly homologated as GT cars by the start of the 1963 international sports car racing calendar, when they were pitched against the Ferrari GTOs. In 1965, the Shelby Cobras won the FIA GT championship, wresting this prestigious title from their Ferrari opposition.
By 1970, Shelby was diversifying into other businesses outside motor racing, but in 1982 Chrysler boss Lee Iaccoca, an old friend, offered him the opportunity to serve as a performance consultant to the automotive giant, bringing him back into the motor racing orbit.
He is survived by his wife, Cleo, his two sons, Patrick and Michael, his daughter, Sharon, and his sister, Anne.
• Carroll Shelby, racing driver and engineer, born 11 January 1923; died 10 May 2012.
Tags: ambient life, ambientlife, Aston Martin, automotive, camera, car photography, classic, commercial, concept car, creative, db2, db5, digital, Equipment, H4, Hasselblad, lighting, photographic, photography, Pro, professional, Racing, tim wallace, Vantage
This week we have been working with one of our longest running clients Aston Martin and their Restorations Centre. Tim has been heavily connected to Aston for a number of years now and its a relationship that has seen both companies work together on many different aspects of the business from the brochure and lifestyle work that Tim shoots on a regular basis for the Aston to the restorations and engineering projects. Over the last few weeks Tim has been working closely with Aston to create some powerful images for the restorations and classic side of the business that not only demonstrate some of the work that goes on behind the scenes and Aston but also for use in global events such as the recent Essen Car Show in Germany that Aston attended using Tim’s work as a launch platform visually.