Posts Tagged ‘concept car

09
Dec
16

TWENTY17 – New book of Commercial work for 2017 by Tim Wallace

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TWENTY17 represents the first in a series of commercial portfolio books that we shall be launching across 2017
These books represent the content and style of the work of Manchester based Commercial Photographer Tim Wallace and allow clients, agents and art buyers to see our work, our style and also projects that we have been involved in. These cover all our operating area’s from automotive car work through to trucks, commercial vehicles, aviation, logistics, parts and engineering.

AmbientLife’s founder is commercial photographer Tim Wallace, based in Manchester he formed his company over 10 years ago with the aim to produce dramatic commercial photography for his clients that inspire their customers.He is also the humble recipient of many awards including British Commercial Advertising Photographer of the Year and UK Motor Industry Car Photographer of the Year.

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Creativity is the fundamental key to any successful commercial photography when mixed with a strongly defined shooting style. Commercially it is very important for client to choose a photographer based not only on their obvious technical ability but most importantly on their ‘style’ of work, this has been the main driving force behind all successful photographers for over 100 years and one that is just as important to day as it ever was with the age of digital technology. True creativity still exists in the capture and control of light with your subject mixed with a strong creative vision of the world.

Commercial Portfolio Book – TWENTY17
A digital online version of our new Portfolio is available for view by agents, buyers and client here
The book is compatible across all devices from iPhone and iPad to normal computer platforms and is updated each quarter throughout the year and contains all our latest work, requests to see our full printed book in person can be made by contacting us here.
Mail: tim@ambientlife.co.uk

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Manchester Commercial Photographer Tim Wallace. Commercial photography, car, automotive, aviation, truck, engineering and parts photography

Manchester Commercial Photographer Tim Wallace. Commercial photography, car, automotive, aviation, truck, engineering and parts photography

© Copyright Declaration
All images shown on this site are protected by International Copyright Law and by the Copyright, Designs & Patents Act 1988.
All images, text and ideas are the ‘intellectual property’ of Tim Wallace™

11
May
16

Advanced Photographer Magazine UK – Feature Interview – Behind Closed Doors

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

“EVERYTHING HAS TO BE DONE AS DISCREETLY AS POSSIBLE TO AVOID IMAGES OF THE CAR LEAKING OUT”

Peugeot Main Global Website
You can see more from Tim’s shoot on the Peugeot website Here in their dedicated ‘Concept’ area

Tim Wallace is used to working around the sometimes meticulous requests of the motoring industry. In his time he’s tackled full-on commissions for the likes of Jaguar Land Rover, Mercedes and Morgan, as well as shooting for some of the world’s most iconic brands, such as Lamborghini, Aston Martin and Ferrari in Europe, and Dodge, Chevrolet and Mustang in the US. He thrives on pressure and has the accolades to prove it: honours include being named International Commercial Advertising Photographer of the
Year and UK Motor Industry Professional Car Photographer of the Year, con rming his reputation as one of the best in the business. One of the things anyone shooting pictures for the car industry realises very quickly is that there is so much competition between the various brands, and such an insatiable demand from motoring enthusiasts to hear about fresh models as soon as possible, that there’s often a high level of secrecy required to ensure that the latest launches aren’t revealed to the world before the manufacturer intends.

So in many ways it wasn’t a huge surprise for Tim, having been approached by Peugeot last summer to produce a massive international campaign for its latest ‘Fractal’ electrically powered concept car, that he learned the latest shoot was to be carried out strictly behind closed doors. There was a slight problem with this stipulation, however: at the time France was in the middle of a heat wave, and the crew realised very quickly that this was going to become a pressure-cooker job in more ways than one. The temperature in the city was around 35°C, and behind those secretive closed doors – with huge Arri continuous studio lights pumping out still more heat – it quickly climbed to over 42°C at times. Almost unbearable on occasions.
“Everything has to be done as discreetly as possible to avoid images of the car leaking out,” says Tim. “This was why we were asked to undertake the shoot in the Peugeot’s own in-house studio, which is situated in the middle of their plant in Paris.
Everything was so hush-hush that the Fractal even arrived on set under a cover so that no one living in the ats near the location would have the chance to see it. We also had just a very short window of opportunity in which to work – only four days. The team was working for over 12 hours at a time on occasions. “But it was all worth it from my point of view because Peugeot is a great client and its design team is very strong indeed. It has great vision for how it wants to sculpt the photography around the product and branding. It’s all very much about emotion, so when they rst approached me – through their production company – it was a very quick t from a style point of view.”

Planning the shoot
With any type of worldwide campaign it’s crucial to ensure that everything is planned and worked out well in advance, so that during the critical days of actual shooting the team is free to concentrate fully on creating and producing the photography that’s required. The brief was to shoot the concept car in a way that showed o its technology and its revolutionary use of sound within the interior controls. Each shot was based on its nal position within a CGI sound- based scene and carefully pre-agreed using visuals. “I was very lucky to have Paris-based Cream Production taking control for this shoot,” says Tim. “The team there is both dedicated and vastly creative. Having such a well-organised production house involved really helped to make sure that we were able to achieve the very best result possible for the client. Even with the huge amount of work to get through it was always a great atmosphere very much a team e ort with everybody pulling together for the common goal.
“I worked with my two lighting assistants, Peter and Hugo, who were both totally amazing and fully committed to making sure we got the best results possible. As with any lighting shoot you hit issues and problems that need to be resolved, and that again is where teamwork comes into play. I think we had a few moments when Hugo was literally using his own body weight to anchor the oating ceiling, while Peter ran round trying to switch lighting out that was quite literally on the point of exploding because of the heat.”

Given the tight timing and high pressure it might not have been the best of times to switch over to a new camera, but Tim decided that this was an assignment perfectly suited to the strengths of the Hasselblad H5D 50c.
“I’ve been a Hasselblad user for the last seven years,” he says. “I appreciate the reliability of the system but most of all I love the lenses, and over time I’ve built up quite a selection. When I looked to change my H3D it was an easy choice: I was looking for a camera that came with the advantage of a CMOS sensor and could make best use of my existing equipment on the same platform. “I shoot a lot in the studio using powerful dedicated lighting, so low ISOs are usually ne, but the higher ISO speeds that the CMOS sensor brings meant I would be able to use the same camera for lighter, editorial type work in available light conditions. Previously I’d have had to shift back over to a DSLR platform for that.

“ONCE WE’D FINISHED THE FINAL SHOT THE POST-PRODUCTION WAS ALREADY 90% COMPLETE

“I had been o ered deals from other manufacturers to swap to their systems, but I really didn’t want to lose the lenses I feel so comfortable with. I’d tested out the H5D 50c in advance and loved it and its simplicity. So I was happy to make the switch, both from a user point of view and from a business perspective.”

Baptism of Fire
The baptism of fire – which came in the form of a boiling hot studio and intense working conditions – never worried Tim’s new camera, which came through the experience unscathed. “We had no issues whatsoever,” says Tim. “No matter how we used it – whether that be attached to a FOBA tripod head as normal or suspended upside down 15m above the car and being operated remotely. Having that sort of reliability and, more importantly, the con dence to push the equipment and crack-on at a fast pace really helped a huge amount.”

Tim and his team started out producing static shots of the car’s exterior. They used the H5D camera tethered to an Apple MacBook Pro laptop with images being fed directly back to a digital retoucher. The retoucher compiled the individual frames and veri ed in real time that everything needed for the nal image was in the bag, and it was safe to move on to the next shot. A highly e cient way of working, that enabled the brief to be tackled as quickly as was practicably possible. The most demanding shots were the overheads where we were looking down into the car, as the studio set-up did not allow a direct overhead viewpoint to be taken up,” Tim recalls. “Instead I had to work from a cherry picker – I climbed into it to set up the camera so that we were totally in the right position, lit the shot, then operated the camera remotely from the ground with the MacBook Pro.” Naturally – as with any car shoot these days there was a certain amount of post-production required to nish o the images. But although the futuristic background was CGI generated, the car itself was relatively unaltered. “Apart from the process of cleaning up the images to get rid of any last-minute marks, the post-edit work was kept to a minimum,” says Tim. “The fact that Pascal, my digital retoucher, was working on the les as they came out of the camera meant that once we’d nished the nal shot the post-production was already 90% complete.
I had overall control on the nal sweep, mainly to tie all the images together as a set once the CGI background had been added.”

By the end of the intensive four-day shoot 45 images had been completed: an incredible achievement considering how involved and complicated some of them turned out to be.
The success of the project is a testament to Tim’s considerable photography skills. His striking set of images was used to launch the Peugeot Fractal at the Frankfurt Motor Show.

CLIENT: Peugeot
LOCATION: Peugeot Design Centre,
Paris
PHOTOGRAPHY: Tim Wallace
PRODUCTION: CREAM Paris
ART DIRECTION: William Blanc
PRODUCER: Sophie Roger
1ST ASSISTANT: Peter Keyser
2ND ASSISTANT: Hugo Mapelli
DIGITAL ASSISTANT: Pascal Aubert – Scalp Art
CAMERA: Hasselblad H5D 50c CMOS LIGHTING: Arri

© Copyright Declaration
All images shown on this site are protected by International Copyright Law and by the Copyright, Designs & Patents Act 1988.
All images, text and ideas are the ‘intellectual property’ of Tim Wallace™

26
Jan
16

New Programme of Seminars Launched with Fujiholics and Tim Wallace

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We are very pleased to announce a programme of seminars led by UK Based professional commercial photographer Tim Wallace with Fujiholics
This is a very open and diverse range of classes and workshops that Tim has put together that will take place all within the UK and cover subjects such as retouching, lighting and also a ‘live studio shoot’. The programme has been designed to specifically to be open to both beginners and the more advanced photographer and there are seminars and classes designed to cover a broad range of skills and not just car based work so that those attending can apply the skills learned across many differing mediums and photography types.
Booking is now open and the links to secure your place are now live.


Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Fuji Live Studio Shoot
April 18th 2016
Location – Junction 11 Studio, Banbury UK

Fujiholics Official Website
Tim Wallace – Live Car Shoot at Junction 11 Studio UK

This is a Studio based class at the infamous Junction 11 Studios near Banbury, the home of many high end Pro car shoots for such people as Aston Martin, Jaguar and Land Rover and is a rare chance to spend a day working within such a studio with one of the worlds leading car photographers. You will be shooting and starting the process from scratch as Tim walks you through each step. You will be look looking at shape, form and light and how they relate to each other, the issues that we are faced with when lighting a multi-angled reflective surface at a professional level. Working with multiple lights we will learn more of how light has a direct impact on what transposes through to our final image. During this studio shoot day we will also be looking at different techniques that we can deploy to get a range of lighting effects using continuous lighting for our car photography and also how these are very different to working with traditional strobes.


Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Creative and Style Retouching for all Levels with Tim Wallace
April 30th 2016
Location – Cambrian Photography Limited – 87-89 Abergele Road Colwyn Bay LL29 7SA – UK

Fujiholics Official Website
Tim Wallace – Creative and Style Retouching Seminar

Fujiholics announce an exciting and unique class from commercial photographer Tim Wallace looking at creative and style based retouching. Tim has only ever spoken twice on this subject in 10 years and on both occasions that was at seminars that he gives on the USA so we are really excited that he has agreed to offer this class here in the UK. The class covers many different aspects of retouching from basic to more advanced so that there is something to learn for everybody no matter what their level of knowledge. This work seminar will apply across a wide range of subjects and is not specific to one type of photography so is open to all who would like to improve their retouching after shooting.


Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Getting more from light – Beginners lighting Class with Tim Wallace
September 3rd 2016
Location – Cambrian Photography Limited – 87-89 Abergele Road Colwyn Bay LL29 7SA – UK

Fujiholics Official Website
Tim Wallace – Getting more from light – Beginners lighting Class

They say ‘lighting’ is everything in photography and is without any doubt one of the most crucial elements to crafting and great image.
In this class Tim Wallace, a well respected and renowned commercial photographer who has shot everything from engineering parts, to huge planes and supercars, to lifestyle and watches will be talking about light. This class is firmly aimed at those that perhaps are not totally sure of how to achieve the images that they practising shooting as well as those that would just like some good advice on which equipment could be best for them for what they would like to shoot. The class will cover a whole broad range of subjects from equipment to how we can work with light and make it do what we want it to do so that we can create great images and build up on those lessons learned and grow as photographers.
All levels are welcome and no question is too silly in this class that Tim has specifically put together so that he can help share his knowledge of light and build an awareness for those attending that if we really start to ‘understand’ light then we often find that lighting, good lighting, is not really as difficult as we may have first thought.
During the class there will be a talk through many different aspects and elements to equipment and light, Tim will be sharing his views and advice as well as offering some valuable tips, as well as offering some demonstrations of lighting in the studio that we have available new to where the class will be held.
If you are seeking help with lighting and would like to understand more about how to learn to light better and progress your work then this is the class for you no matter what subjects you shoot. The advice given is not specific to any style or type of photography but more so is a journey through how we start to understand light and therefore move forward to control it.


Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Creative Lighting Class with Tim Wallace
October 22nd 2016
Location – Cambrian Photography Limited – 87-89 Abergele Road Colwyn Bay LL29 7SA – UK

Fujiholics Official Website
Tim Wallace – Creative Lighting Class

Tim is a well known photographer across the world for his high end commercial work, most predominately within the automotive car industry, in this class he will be approaching the very key subject of lighting. The course is not specific to any style or type of work but is very much a class for those attending to have an opportunity to get a better understanding of light and now we can work with it in many ways moving forward from basics. If we can truly ‘understand’ light and why it acts as it does in differing situations then we can start to create situations to dictated and control our lighting.
Tim has shot everything from engineering parts, to huge planes and supercars, to lifestyle and watches across his career and working within the commercial world of advertising and campaign photography he is very aware of the value of good lighting and the importance of understanding how to create light to match our requirement.
The event will take place in studio giving those attending not only a chance to see hands on how lighting can effect things drastically but also will give those attending the opportunity to also shoot their own images and experiment from the lessons learned.
Tim is very well known for his creativity and open approach with a unique strong style of work and creative approach that inspires not only his clients but also their customers, something that was reflected recently when he was awarded, ‘International Commercial Advertising Photographer of the Year’ and ‘Car Photographer of the Year’ at the Industry Awards. He is today regarded as a leading automotive photographer within the industry and a renowned creative who is extremely passionate about the ‘craft’ of photography.

© Copyright Declaration
All images shown on this site are protected by International Copyright Law and by the Copyright, Designs & Patents Act 1988.
All images, text and ideas are the ‘intellectual property’ of Tim Wallace™

09
Jan
16

Porsche 911 Targa 4 GTS Shoot

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Commercial Automotive Car Photographer Tim Wallace recently did a closed shoot at Junction 11 Studios for the new Porsche 911 Targa 4 GTS.
The Porsche 911 Targa 4 GTS is a little more rounded, a little more polished than its predecessor. But it goes far toward capturing that ‘70s-era élan, and it’s more powerful, with better tuning, than was the first contemporary iteration when it came out last year.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Did you know that targa means shield in Italian?
It happens to be the name of a convertible Porsche created 50 years ago as a way to get around some potential U.S. federal regulations against open-top cars in the 1960s. The original Porsche Targa featured a steel roll bar at its center, with a removable roof panel and a removable plastic window covering the rear. It was the car you bought if you were cool and a little different from the norm—something for thinkers and creative driving enthusiasts who wanted to imbibe the sun and the wind, unimpeded by convention.

The quirky look of that Targa roof was different enough to separate it from the conventional 911s and other, more staid, roadsters. You could recognize it from streets away. It formed a literal and symbolic shield from the mundane.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

If you choose to buy this car—and I’ll be jealous if you do—I suspect that the first thing attracting you to it is how the exterior looks. I don’t blame you. Let’s face it: In certain upscale suburban neighborhoods or fancy vacation spots, Porsche 911s are so ubiquitous that they’ve begun to feel clichéd. That homogeneity equals b-o-r-i-n-g. Predictable.
The worst part is that there is nothing boring about driving a 911 coupe or standard convertible. Nothing.
So it’s a relief when you stumble upon a 911 Targa. Finally, something different! The retro glass roof, bi-xenon LED headlamps, 20-inch matte black wheels, and twin dual sport exhaust tail pipes look way more interesting than a run-of-the-mill Carrera. For the first time in a while, the exterior of a 911 accurately communicates how not-normal the car is to drive.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Porsche Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

04
Nov
15

Peugeot launch ‘Fractal’ photography on company global site

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This month saw the launch of the ‘Fractal’ photography on our client Peugeots global website. AmbientLife car photographer Tim Wallace shot the work for our client Peugeot a few months ago in preparation for their worldwide launch of the car.
The Fractal concept car was launched at the Frankfurt Motor Show in 2015 and it represented a major capital investment in showcasing their new concepts and future technologies to a worldwide market so getting the right photography and media was very important. Tim worked very closely with Cream Production in Paris and the Peugeot design team of the concept car to shoot the photography element of the campaign over a 4 day period at the Peugeot Design Headquarters in Paris.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Peugeot Global Website
Fractal Concept Car work by Photographer Tim Wallace

Client: Peugeot
Location: Peugeot Design Centre, Paris
Photography: Tim Wallace

Tim “Peugeot is a great client from my perspective as the design team is very strong indeed and they have great vision for how they want to sculpt the photography around their product and branding. At Peugeot it is very much all about ’emotion’ so when they first approached me through their production company it was a very quick fit from a style point of view. Shooting any campaign is a large and involved process and shooting their new concept was something that I was personally very happy to be involved with. As with any type of worldwide campaign its crucial to ensure that everything is planned and worked out well in advance so that during the days of actual shooting the team can concentrate fully on creating and producing the photography that is required. I was very lucky to have Cream Production based in Paris taking control for this shoot, the team there are both dedicated and vastly creative and having such a well organised production house involved can really help to make sure that as a whole the project gets the very best result possible for the client.”

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

The Fractal
Peugeot revealed the second generation of its i-Cockpit interior design language with this Fractal concept at the Frankfurt motor show.
The two-door, four-seat concept, described as an ‘urban coupé’, is powered by two 168bhp electric motors – one located on each axle – with a combined output of 335bhp.
The Fractal has a range of up to 280 miles on a single charge with motors that are fed from a lithium ion battery pack mounted in the centre of the car. Measuring 3.81m long by 1.77m wide, the concept, which features a removable roof, sits on 19in ‘Tall&Narrow’ wheels and weighs just 1000kg. The Fractal can hit 62mph from rest in 6.8sec. The minimalist cabin features a small steering wheel with integrated touchpads that can be used to control most infotainment functions. 80% of the interior has been created using 3D-printed components. The design was inspired by the materials and surfaces used in auditoriums and recording studios. The Fractal features a next-generation sound system, which Peugeot designed to create the illusion of direction with sound, such as when delivering navigation instructions. The seats of the concept feature a ‘tactile’ system for delivering bass sound.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

02
Nov
15

Gulf Photo Plus 2016 in Dubai

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Some months ago photographer Tim Wallace was approached by the organisers of Gulf Photo Plus, a premium photographic event that is held in Dubai each year, and asked to participate in the 2016 event. We are very happy to announce that Tim has agreed to take part in this GPP 2016 event in beautiful Dubai and will be there as one of the main instructors in February 2016 between the 5th and the 12th where he will be running two separate two day intense courses on car photography.

The first is aimed at the confident beginner and will take place with attendees shooting alongside Tim in a studio for one day and then on occasion for a day. The second course is also a two day course but this time based on working with intermediate and professional level photographers, again this will be one day in the studio and then a day separately on location.
Tim will also be doing other talks whilst there in Dubai including his ‘Inspired Business’ seminar.

We look forward to what we strongly believe will be an amazing one week event with many great photographers attending to create some amazing captures and learn some new techniques.

Gulf Photo Plus 2016 Official Website
Tim Wallace – Instructor at GPP 2016

Full details of the schedules for the workshops to be announced shortly on the official GPP 2016 website on the link above with booking information.
Be sure to check out all the amazing seminar and workshop classes that are featured from some of the very best photographers working professionals today.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

26
Oct
15

AmbientLife welcomes new clients ‘Dymag’ and ‘Leader Communications’

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This week we would like to welcome ‘Dymag’ as a new client to AmbientLife and also Leader Communications Agency.
Dymag approached photographer Tim Wallace through Leader in August this year while Tim was out in Las Vegas teaching at PSW as they were relaunching the company with a new two piece carbon composite car wheel that is launching at SEMA in Las Vegas this weekend. Their requirement was a full portfolio or commercial work of their new products as well as campaign work that will be used for the launch at SEMA for their corporate stand there.

automotive car photography

Background
Started in the early 1970s, Dymag quickly moved to the technology pinnacle inventing the world’s first 3-spoke Magnesium motorcycle racing wheels. It was on Dymag motorcycle wheels that the legendary Eddie Lawson won the AMA Superbike Championship on a Kawasaki KZ1000-S1 in 1981 and 1982, and went on to win the 1984 World Motorcycle GP Championship on a Yamaha YZR500. Building on our successes, Dymag expanded into manufacturing Forged Magnesium wheels, Forged Aluminium wheels and finally Lightweight Carbon Fibre wheels with an equally enthusiastic response from bike and car owners around the world.
Many Formula 1, IndyCar, Rally/RAID, GP Moto, Superbikes, Isle of Man TT champions and race winners have used Dymags, as well as several production Supercar manufacturers.
In January 2010, British businessman Chris Shelley rescued the company from receivership and with the help of the original Dymag engineers and experts is proudly continuing the Dymag story with a new focus on developing a carbon composite car wheel targeted initially at the high performance car aftermarket with the ambition of becoming a key partner to an OEM.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Ambition
Their ambition is to be a global top three supplier to the high end car and motorcycle customer and to partner blue chip OEM’s in both sectors. Dymag is very much a British “comeback” story particularly now that we have the government AMSCI funding of around £7m which is designed to support UK manufacturing companies in developing new technology and strengthening their supply chains to both UK and overseas customers.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.

Car Photographer Professional of Ambient Life. Tim Wallace, Clients include Morgan, Aston Martin, Jaguar and Land Rover. Specialising in high end prestige commercial car photography and also the supply of car stock snydicated photography for commercail and marketing use.




Ambient Life Online

A selection of other online sites that offer a look into the work of UK Professional Photographer Tim Wallace.

www.ambientlife.co.uk


Photographer Tim Wallace is the driving force and creative thinking behind Ambient Life.
An award winning photographer he is probably best known for his commercial car and advertising work.

Tim works with many well known brands and clients such as Aston Martin, Land Rover and Kenwood in the US, and has recently been named as one of the ten photographers to be selected by Hasselblad for the quality of his work and creative vision to represent their new 'Pro Team' to be launched in 2010.

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